time(in)pieces

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new blog

monitor

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after life after death

malevich signature

on moving pictures and living paintings, for E.R.O.S. journal

hito steyerl: too much world

Hito Steyerl, Liquidity Inc. 2014

exhibition review for frieze

all things not identical with themselves

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each other

coke infinity.Still007

text for matthew shannon’s installation at the stedelijk museum bureau amsterdam

post script

Malevich's grave at Romashkovo

“no one, however, could remember whether the physical motions were accompanied by any kind of speech”

in saint petersburg next week

unovis-vitebsk-1920

information

groundless

Jete 1963 / 1965 / 2014

text for jeté 1963/1965/2014 by nova Milne at primetime, new york

never last

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on the movie ‘speed’ / for spence messih’s exhibition ‘sometimes it’s hard to tell who is moving’

interview with keg de souza

at delfina foundation in london

tomorrow you will not recognise us

detail

on motion and cracks in kazimir malevich’s artworks, and in their histories

~A

SONY DSC

text for kelly doley’s exhibition yes & no: things learnt about feminism

assemblage II

on plaster

she weeps tears of code

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the difference engine no. 2

cctv

lavender oil and white petroleum

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text for charles dennington’s work in ACCA’s NEW14 exhibition

T I M E

F5-Gordon-Matta-Clark-actuando-en-“Clock-shower”-1973.

‘documents of contemporary art’ anthology

soiled

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catalogue text for emily hunt’s exhibition at the commercial gallery, sydney

for all intensive purposes

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nothing to wear

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on grayson perry’s dress at the BAFTA TV awards

thea djordjadze: our full

exhibition review for frieze

Command+Z

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on obsession, distributed selfhood and mariah carey / for the exhibition Janis II

time (nearly)

baking

forthcoming book

touchy

wave

world

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some of my best friends are women

party pooping article on sexism in the australian artworld for overland

indifference and repetition

tehching01

interview with tehching hsieh for das superpaper

what is oozing out of our ground?

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(((

two dollar pareidolia

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notes and quotes assembled for the exhibition at tin sheds gallery

sisyphus

maze

on repetition and purposive purposelessness

fraudulent slip

107_2050

this is so contemporary!

gonzales-torres perfect lovers

article on anachronism, for frieze masters

dance music

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hit the roof

photo-sculpture: pictures, objects and paradox

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catalogue text for the exhibition at MOP

there’s nothing to see here

on monochromes and erasure, for e-flux journal

chatting about documenta 13, instead of reviewing it

on d13, for runway magazine in australia

going nowhere

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on genpei akasegawa’s thomassons, for fulcrum at the venice biennale of architecture

snakes in iceland; there aren't any

FOTOESCULTURAS 2

tetrachromat

on tauba auerbach, for frieze magazine

warm soft cash

dassault_falcon_900_reflected

for and against

the results

metabolising past futurism

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on the metabolist architecture movement, for frieze magazine

already smashed tomorrow

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being-towards-death in the unmade container: thomas demand, kris martin and ai weiwei with heidegger and the tao-tê-ching

image breaking making and faking

Richardson-Venus

article on iconoclasm for ampersand magazine

7 Hour Balloon Work / 7-Stunden-Ballonarbeit

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by michaela gleave

six months on

photos from tōhoku

night visions

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catalogue essay for kohei yoshiyuki at the institute of modern art

Joint Photographic Experts Group

114ofi

all parts of the hole

making space

a stock exchange

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exhibition for imperial panda festival

crashinglows

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out of sink